The Brothers Bloom Trailer

Academy Award winner® Rachel Weisz (The Constant Gardener), Academy Award® winner Adrien Brody (The Pianist), Mark Ruffalo (Zodiac), and Academy Award® nominee Rinko Kikuchi (Babel) star in The Brothers Bloom, a globe-trotting comedy about the last great adventure of the world’s best con men. Welcome to the world of The Brothers Bloom, where deception is an art and nothing is as it seems. The brothers have perfected the art of swindling fortunes through years of fraternal teamwork. Now they’ve decided to take on one last spectacular job—luring a beautiful and eccentric heiress into an elaborate plot that takes them around the world.
In theaters October 24th!

Official Website:
http://www.thebrothersbloom.com/

Bernlef oanpakt troch De Jong & Klootman

In film dyt yn Fryslân spilet sûnder dat der Frysk yn praten wurdt? Dat sucks, neffens de Fryske studinteferiening Bernlef. En dus makken se seis jier lyn in hypergeef Fryske persiflaazje (De Kameleon Sjocht Yn It Waar) op de Kameleonfilm fan Steven de Jong. Útjouwerij Kluitman wie lykwols not amused…der waard in proses oanspand en no seis jier letter moatte de studinten ta de bûse. De ludike, mar yllegale parody levere har in boete fan €11.300,- op.

Jild dat Bernlef fan ‘t simmer mei in benefytaksje fan trije dagen byinoar skrape hat. De âlvetûzen euro is betelle oan Klootman en De Jong, dat se der mar wille fan ha meie. En no…wraak? De Jong syn nije film Snuf de Hond in oorlogstijd is krekt út…of hat de rjochter Bernlef de bek snoerd?!

Reportage makke troch Fynst.nl

Links: http://www.fynst.nl
Bernlef: http://www.bernlef.com/
Persiflaazje: http://www.fryskekameleonfilm.nl/
Kluitman: http://www.kluitman.nl
steven de jong mailto:steven@stevendejongfilms.nl

Hjoed: Bernlef moat Kluitman betelje

Fryske studinteferiening Bernlef út Grins moat útjouwerij Kluitman yn Alkmaar in flinke skeafergoeding betelje foar it útbringen fan de film ‘De Kameleon sjocht yn it waar’. Dat hat de rjochtbank útsprutsen. Bernlef makke de film yn 2002 as ludyk protest tsjin de Nederlânsktalige Kameleonfilm fan Steven de Jong.

Bernlef sil in aksje op tou sette om it nedige jild byinoar te fandeljen. De kosten berinne sa’n 11.300 euro.
Bernlef moat Kluitman betelje omdat de studinteferiening de auteursrjochten fan de útjouwerij skeind hat. Oan de Fryske Kameleonfilm diene ek ferskate bekende Friezen mei lykas Piet Paulusma, Ids Postma en Hans Wiegel.

Hjoed: Bernlef moat Kluitman betelje

Fryske studinteferiening Bernlef út Grins moat útjouwerij Kluitman yn Alkmaar in flinke skeafergoeding betelje foar it útbringen fan de film ‘De Kameleon sjocht yn it waar’. Dat hat de rjochtbank útsprutsen. Bernlef makke de film yn 2002 as ludyk protest tsjin de Nederlânsktalige Kameleonfilm fan Steven de Jong.

Bernlef sil in aksje op tou sette om it nedige jild byinoar te fandeljen. De kosten berinne sa’n 11.300 euro.
Bernlef moat Kluitman betelje omdat de studinteferiening de auteursrjochten fan de útjouwerij skeind hat. Oan de Fryske Kameleonfilm diene ek ferskate bekende Friezen mei lykas Piet Paulusma, Ids Postma en Hans Wiegel.

Hjoed: Bernlef moat Kluitman betelje

Fryske studinteferiening Bernlef út Grins moat útjouwerij Kluitman yn Alkmaar in flinke skeafergoeding betelje foar it útbringen fan de film ‘De Kameleon sjocht yn it waar’. Dat hat de rjochtbank útsprutsen. Bernlef makke de film yn 2002 as ludyk protest tsjin de Nederlânsktalige Kameleonfilm fan Steven de Jong.

Bernlef sil in aksje op tou sette om it nedige jild byinoar te fandeljen. De kosten berinne sa’n 11.300 euro.
Bernlef moat Kluitman betelje omdat de studinteferiening de auteursrjochten fan de útjouwerij skeind hat. Oan de Fryske Kameleonfilm diene ek ferskate bekende Friezen mei lykas Piet Paulusma, Ids Postma en Hans Wiegel.

Hjoed: Bernlef moat Kluitman betelje

Fryske studinteferiening Bernlef út Grins moat útjouwerij Kluitman yn Alkmaar in flinke skeafergoeding betelje foar it útbringen fan de film ‘De Kameleon sjocht yn it waar’. Dat hat de rjochtbank útsprutsen. Bernlef makke de film yn 2002 as ludyk protest tsjin de Nederlânsktalige Kameleonfilm fan Steven de Jong.

Bernlef sil in aksje op tou sette om it nedige jild byinoar te fandeljen. De kosten berinne sa’n 11.300 euro.
Bernlef moat Kluitman betelje omdat de studinteferiening de auteursrjochten fan de útjouwerij skeind hat. Oan de Fryske Kameleonfilm diene ek ferskate bekende Friezen mei lykas Piet Paulusma, Ids Postma en Hans Wiegel.

Jonas Brothers – Nick takes off his purity ring

Tensions rise amongst the Jonas Brothers when Nick takes off his purity ring and flirts with the concept of pre-marital sex. Presented by the fabulously creative Booya Pictures: http://www.justforlaughs.com/users/10812-booyapictures

More on http://www.justforlaughs.com

Bikkel : Bart de Graaff : de Film

Bart de Graaff overleed op 25 mei 2002 op 35-jarige leeftijd. In dat korte leven wist hij heel veel voor elkaar te boksen maar haalde hij bij sommigen ook het bloed onder de nagels vandaan. Wat in 1996 als een grap leek te beginnen in het Veronica-programma Bart’s News Network, bleek al snel keiharde realiteit: Bart begon zijn eigen omroep BNN en met een ongekende nationale ledenwerfcampagne brak hij met 60.000 leden voor het eerst in 23 jaar het publieke bestel open.

In BIKKEL richt Bart zich rechtstreeks tot de kijker. In een speciale audiotrack samengesteld uit alle interviews die hij ooit gaf, vertelt Bart over zijn leven. Hoe zijn chronische nierziekte hem iedere keer weer in het ziekenhuis deed belanden en een normale carriere in de zaak van zijn vader onmogelijk maakte. Maar ook hoe hij die tegenslagen wist te overwinnen met zijn humor en ongekende doorzettingsvermogen. Daarnaast komen de mensen aan het woord die met en voor Bart leefden: zijn moeder Marjan, z’n zus Mirjam maar ook z’n grote liefde Valerie. Zij hadden vaak meer zorgen om Bart dan Bart zelf en worstelen nog steeds met het gemis van deze bikkel.

regie LEO DE BOER
research en scenario
LEO DE BOER EN HANS DORTMANS
camera
MARCO NAUTA geluid
WOUTER VELDHUIS montage
JP LUIJSTERBURG kleurcorrectie
VALKIESER CAPITAL IMAGES mixage
BOON & BOOY
muziek
BIG ORANGE
gitaar & arrangementen
FRANK BURKS
mondharmonica
RICHARD KOSTER
audio offline montage
DAVID DE JONGH
grafisch ontwerp
SCALE TO FIT
bureauproductie
MIRJAM BAL
ROSAN BOERSMA CLAIRE VAN DEN ENDE
publiciteit
CURIEN KROON
uitvoerend producent
ANNEMIEK VAN DER HELL
eindredactie BNN
HANS SCHWARZ
producent
PIETER VAN HUYSTEE

PvH Home

Shocking the Movie – Part 1/3

The adventures of Charles and George. Two special agents. From the B.S.A..

Marc Boers as George
Sander Vermeulen as Charles
Vincent Bronkhorst as Mc.Royal
Marte de Vries as Miss Missy
Rûna van Tent as Patty
Amber Thevis as Elizabeth Mc.Royal

31 Mei 1928 – Die Prins vlag

After the Anglo-Boer War from 1899 to 1902 and the formation of the Union of South Africa in 1910, the British Union Flag became the national flag of South Africa. As was the case throughout the British Empire, the Red and Blue Ensign with the Union coat of arms were granted by British Admiralty warrants in 1910 for use at sea.

These ensigns were not intended to be used as the Union’s national flag, although they were used by some people as such, especially the Red Ensign. It was only after the first post-Union Afrikaner government took office in 1925 that a bill was introduced in Parliament to make provisions for a national flag for the Union; this action immediately prompted three years of near civil war, as the British thought that the Boers wanted to remove their cherished imperial symbols. Natal Province even threatened to secede from the Union.

Finally, a compromise was reached that resulted in the adoption of a separate flag for the Union in late 1927, and the design was first hoisted on 31 May 1928. The design was based on the so-called Van Riebeeck flag or Prinsevlag (“Prince’s flag” in Afrikaans) which was originally the Dutch flag, and consisted of orange, white, and blue horizontal stripes. A version of this flag was used as the flag of the Dutch East India Company at the Cape (with the VOC logo in the centre) from 1652 until 1795. The South African addition to the design was three smaller flags centred in the white stripe. The smaller flags were the Union Flag towards the hoist, the Orange Free State Vierkleur hanging vertically and the Transvaal Vierkleur towards the fly.

The choice of the Prinsevlag as the basis upon which to design the South African flag had more to do with compromise than Afrikaner political desires, as the Prinsevlag was believed to be the first flag hoisted on South African soil and was politically neutral as it was no longer the national flag of any nation. A further element of this compromise was that the Union Flag would continue to fly alongside the new South African national flag over official buildings. This state of duality continued until 1957 when the Union Flag lost its official status as per an Act of Parliament; the Red Ensign had lost its status as South Africa’s merchant flag in 1951.

Following a referendum, the country became a republic on 31 May 1961, but the design of the flag remained unchanged. However, there was intense pressure to change the flag, particularly from Afrikaners who resented the fact that the Union Flag was a part of the flag.

The former Prime Minister and architect of apartheid, Hendrik Frensch Verwoerd, had a dream to hoist a “clean” flag over South Africa in the 1960s. The proposed design comprised three vertical stripes of the same colour of the Prinsevlag with a leaping Springbok Antelope over a wreath of six proteas in the centre. H.C. Blatt, then assistant secretary in the Department of the Prime Minister, designed the flag. Verwoerd’s successor, John Vorster, raised the flag issue at a news conference on 30 March 1971 and said that in light of the impending 10th anniversary Republic Day celebrations, he preferred to “keep the affair in the background”. This he said was done because he did not want the flag question to degenerate into a political football, as happened in the 1920s over the Union Flag, and that the matter would be considered again when circumstances would be “more normal”. He also went on to say that “I only want to warn, and express hope, that no person should drag politics in any form into this matter, because the flag must, at all times, be raised above party politics in South Africa”.

Despite the flag’s origins predating the National Party’s ascension to power, the presence of the three little flags in the middle was internationally perceived as being an implied endorsement of apartheid. In this light it is possible to theorise that the end of apartheid may not have beckoned a change in national flag if a more neutral one had indeed been selected in the 1960s, or perhaps even if the three subflags had been merely excised before the Prinsevlag became the inadvertent symbol of apartheid it did.